Huysman on Gustave Moreau's "Salome"

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Gustave Moreau
Des Esseintes saw realized at last the Salome, weird and superhuman, he had dreamed of. No longer was she merely the dancing girl who extorts a cry of lust and concupiscence from an old man by the lascivious contortions of her body; who breaks the will, masters the mind of a King by the spectacle of her quivering bosoms, heaving belly and tossing thighs; she was now revealed in a sense as the symbolic incarnation of world-old ice, the goddess of immortal Hysteria, the Curse of Beauty supreme above all other beauties by the cataleptic spasm that stirs the flesh and steels her muscles, ~a monstrous Beast of the Apocalypse, indifferent, irresponsible, insensible, poisoning, like Helen of Troy of the Classic fables, all who come near her, all who see her, all who touch her.

— Huysman waxes masochistically ecstatic over Gustave Moreau's painting of Salome Joris-Karl Huysman c. 1884

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This page contains a single entry by Kallisti published on September 15, 2006 3:12 PM.

"Herodias" by Gustave Flaubert was the previous entry in this blog.

Oscar Wilde's "Salome" is the next entry in this blog.

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